Ilana Walder-Biesanz

Ilana Walder-Biesanz
Ilana is an Associate Product Manager at Yahoo! and a freelance theater and opera critic. She holds a B.S. in Engineering from Olin College and an M.Phil. in European Literature from the University of Cambridge. She currently reviews for Stark Insider, Bachtrack, and San Francisco Classical Voice. [Web Site]
Dear Master - Aurora Theatre Company Review

Literary Lives in Letters at Aurora Theatre

'Dear Master' made me want to pick up another George Sand novel. I think I’ll go do just that.

A Grand Finale for the Merolini

San Francisco’s Merola Opera Program is one of the most prestigious training programs in the world for young singers. Its participants can already boast of long singing resumes and top awards, and its alumni include superstars like Anna Netrebko, Joyce DiDonato, and Thomas Hampson. The extraordinary talent displayed at...
Abduction From Seraglio - Festival Opera Review

Star Trek meets Mozart at Festival Opera

Comic operas are rarely hilarious. A good Fledermaus or Barber of Seville might get you chuckling on occasion, but it won’t have you holding your head in your hands fighting bursts of uncontrollable laughter. Normally, The Abduction from the Seraglio wouldn’t either, but Josh Shaw’s libretto and staging, which...
Theater Review: 'Master Harold' at Aurora Theatre in Berkeley
SF Opera David Gockley 2016

A smashing send-off for David Gockley

After ten years as the general director of San Francisco Opera, David Gockley is retiring. To chronicle his contributions to American opera would take a book, not a blog post (and in fact there is one). But the Celebrating David! gala concert on Thursday night focused on two of...
San Francisco Opera - Carmen

Carmen without the romance at San Francisco Opera

Sex and violence dominate Calixto Bieito's Carmen, which paints a gritty, unidealized picture of poverty and abuse.
Cinderella - SHN San Francisco Review

Cinderella‘s magic survives a rewrite

Watching a made-for-television Cinderella by Rogers and Hammerstein is an important part of growing up in a musical theater-loving family. I’ve wasted evenings debating the merits of Julie Andrews (1957), Lesley Ann Warren (1965), and Brandy Norwood (1997) in the title role. Incredibly, despite its place in the canon,...

A mostly happy Most Happy Fella at 42nd Street Moon

Mention Frank Loesser to a musical theater fan, and you’re sure to hear about Guys and Dolls. The Most Happy Fella is unlikely to be discussed, because it is so rarely performed these days. It’s less consistently toe-tapping than Loesser’s more lasting hit, but it makes up for it...

‘The Lion’, a roaringly good new musical

“What makes a lion a lion?” Alone onstage with seven guitars, Benjamin Scheuer sings, “My father has an old guitar, and he plays me folk songs.” That’s the start of Benjamin’s passion for music, but it’s also a cause for his troubled relationship with his father. Depressed and quick to...
SF Opera Lab - Triplets of Belleville Review

A swinging Belleville rendezvous at San Francisco Opera Lab

In 2004, Finding Nemo won the Oscar for Best Animated Feature Film. It beat out a very different finalist: the bizarre French-Québécois film The Triplets of Belleville. This near-silent movie with a swinging jazz score is an imaginative adventure set during the Tour de France. The cyclist Champion is...