Heartthrobs: ‘Biggest Boy Band Ever’
A pleasant evening at the Nourse, with San Francisco Gay Men's Chorus.
Broadway Under the Stars: From Baja beaches to Sonoma ruins, the remarkable story (Video)
This has to rank as one of the country's most incredible arts-related stories.
The arts? Success? In 2016?
Yes, yes and yes.
It's an adventurous narrative. An outdoor theater among ruins? I can only make one smile. A glimmer of hope, perhaps, that there is room in this world of viral videos, emojis,...
A smashing send-off for David Gockley
After ten years as the general director of San Francisco Opera, David Gockley is retiring. To chronicle his contributions to American opera would take a book, not a blog post (and in fact there is one). But the Celebrating David! gala concert on Thursday night focused on two of...
San Jose Stage: 2016-17 season takes audiences to Africa, Ireland, the Middle East and back to America
San Jose Stage Company is calling their 2016-17 season a "provocative journey."
We can see why.
The theater's 34th season (full line-up and details below) aims to take audiences around the world, with stops in Africa, Ireland, the Middle East, before heading home back to America. Phew. It's looking to be...
Bone-chilling Fast: ‘The Velocity of Autumn’
Playwright Eric Coble loves his characters, and lavishes them both with one-liners that ring so true they occasionally raised a gasp of recognition from the audience.
Must-See Theater: ‘Chester Bailey’ is best world premiere in recent memory (Review)
"This is why you see live theater. It sticks with you, haunting, and beautiful. At its best, it shines an inspiring, if not at times challenging, light on our own lives."
Chester Bailey is the kind of play you wish everyone had the opportunity to see. At its core, this...
Carmen without the romance at San Francisco Opera
Sex and violence dominate Calixto Bieito's Carmen, which paints a gritty, unidealized picture of poverty and abuse.
Not Quite Aloft: ‘For Peter Pan on her 70th Birthday’ (Berkeley Rep)
The magic in this play is all in that fantastical morphing, which shimmers in its quiet way, infusing the play with lightness and warmth. The catch is you have to wait until the last third to get there.