Friendly Skies: ‘Boeing Boeing’ (Review)
Part of the tight fast-paced brilliance, sold here in a Mary Quant vision of primary colors and angular geometries, can be attributed to Kenneth Kelleher’s tight stage direction and the cast’s quick comic timing.
Colette Uncensored will leave you wanting more
In The Marsh’s small San Francisco theater, watching Lorri Holt speak as Colette is like having a conversation with the most interesting person you have ever met. Writers Zack Rogow and Lorri Holt frame their play as a lecture in celebration of Gigi, but it’s more of a cozy...
An apocalyptic ‘Act of God’ visits SHN Golden Gate (The Almighty Review)
Actor-comedian Sean Hayes delivers a swishy cross between Bill Buckley and Oprah.
Unraveling mysterious cult ‘On Clover Road’
"Children are made of glass. Children shatter."
Maybe their parents do too.
On Clover Road could have been a straight-ahead story about cults we've seen so many times before: parent searches for runaway child, finds them in remote location under the spell of a spiritual leader, proceeds to rescue them, and...
Realer than Real: Echo Brown and ‘Black Virgins Are Not for Hipsters’
When she talks about how racist the Bay Area is, compared to NYC or Cleveland, her observation seems perfectly aligned with the Bay Area’s glacial coolness and assumed superiority that goes with occupying this stunning bit of heaven.
‘The How and the Why’ at Berkeley Aurora
Grad student Rachel, played by Martha Brigham, is such a study in insecurity that you want to take her offstage, and give her a Xanax.
This Time with Heart: Second Time Around
Jeanrenaud's cello dances around the emotional tones, fleshing out color and nuance that Rosenau never fully articulates.
Unwrapping ‘The Realistic Joneses’
The underlying tension plays against the duration of the play even more than it plays between characters. We wait for coherency like we wait for Godot.
Zen Knives and an Old Man’s Dreams: ‘Toyko Fish Story’ (Review)
This isn’t strip mall sushi, but sushi-as-art form, sushi-as-meditation. This is sushi like the sushi prepared by famed chef Toshio Sakuma, former owner of Steve Jobs’ favorite restaurant and mystical Apple chef.
Broadway Review: ‘Wicked’ defies gravity, as usual
The national tour of Wicked couldn’t possibly be less than fabulous. Stephen Schwartz’s score combines the infuriatingly catchy with the beautifully lyrical. His clever lyrics provoke laughs with their well-rhymed mix of real SAT vocabulary words and made-up imitations (confusifying, disgusticified). The whole plot—based on Gregory Maguire’s novel of...