Davalos characterizes Faustus as a Renaissance Timothy Leary.

This is a massive tome, and their cuts were well placed to “sing the rage of Peleus’s son Achilles” without tediously dragging the audience across every Greek battlefield or repeating the well known story of the Trojan horse.

This version of 'Hound of the Baskervilles' by TheatreWorks stays true to its Brit roots, perhaps in a way never imagined by Arthur Conan Doyle. Hint: think Monty Python.

Rod Gnapp, as so many already know around the San Francisco Bay Area, is the man. His performance here is #epic.

Silicon Valley is an exciting place to be in 2014. The last time this much VC money flowed was 1999. 'Game On' brings entertaining start-up culture to the stage.

Meaney’s take on the seemingly flaky, abrasive actress who arrives late for an audition eases the audience into these transitions, at least until the realization dawns that she’s left much unrevealed as she deftly transitions to the character she plays.

When we hear of "tortured souls" surely artist Rudolph Bauer would rise to the top of the list. Guggenheim called him "the greatest living painter." So why did Bauer stop painting?

O’Reilly has a quiet intensity, as if consciously containing all the energy at his command.

Steven Epp is smart, irrepressible, and so damn funny that you really should pee before entering the theatre.

The tone of this embraced opposites: dreamy, but not relaxed; fluid, but still tense, and propelled forward by curious rhythms.