The premise is one of my favorites, drawing from elements not unlike what we've seen over the years in other forms, notably in Christopher Nolan's 'Memento' and the 'Saw' horror film franchise.

As Ashley, Meredith Hagedorn is the veritable Everywoman. However, she’s not the sanitized Everywoman you get in freshman lit, but one who unravels even faster than she gets it together.

Dee Roscioli pushes this production to eleven. When she's "Defying Gavity" at the end of the first act, floating to the rafters of the Orpheum, the pure power of her voice astonishes.

There are bright moments, but ultimately sparks do not fly.

The lengthy story presents the Candelarias, who argue with such passion across the dining room table that they remind me of my own family.

We need our elders, and as Mr. G. approaches 76, we need him to be long of tooth, beaming with his great heart.

With Troublemaker, playwright Dan LeFranc has created an altogether new universe, with unique words, hipster expressions, and a lot of, well, a lot of... freakin freak.

I’ll be dropping notes into the suggestion box at work that my employer get Josh Kornbluth to emcee their next event, Wavy Gravy to deliver the benediction, Sarah Felder to juggle in Yiddish and Artistic Director Stephanie Weisman to make the kugel.

The list of playwrights cultivated and premiered at Magic Theatre is a veritable who’s who of American theatre: Sam Shepard, Michael McClure, Nilo Cruz, Paula Vogel, Rebecca Gilman, Lloyd Suh, Taylor Mac, Theresa Rebeck, Sharr White, and Luis Alfaro...

A.C.T.'s shockingly powerful production of A Christmas Carol will make you laugh and cry throughout the entire production.