Review: Ives Quartet Salon with Elinor Armer
Not being a violinist, this cracked open the door a wee touch into how the magic is made.
Review: ‘Snow Falling on Cedars’ at TheatreWorks
Not telling a story becomes as much a way of telling the tale, as the reticence of the Japanese characters is as loud as the self-righteous Norwegian voices.
Review: Coastal Rep’s ‘Woolf’ an elegant production of a milestone in American theatre
A trip to the beautiful seaside town of Half Moon Bay could not be more worthwhile!
Theater Review: ‘Legacy of Light’ a contemporary spin on women and science at SJ Rep
"No problem can withstand the assault of sustained thinking."
Review: Season finale for Ballet San Jose
Costumes and scenery by Antoni Clavé balance grittiness against style as only the French can.
Chanticleer in San Jose: Ancient texts, 20th Century tunes
In swapping out the usual story of dazzling the elders at the temple in favor of a non-canonical text about the child Christ, Chanticleer adds unexpected novelty, making it a richer experience for the audience.
San Francisco Opera Guild announces ‘Revelry on the Rhine’ gala
All proceeds support the award-winning education and community outreach programs of San Francisco Opera Guild that reach more than 50,000 young people in 200 schools throughout Northern California every year.
Lyric Theatre’s ‘Carousel’: Fine production of flawed masterpiece
Special recognition must go to Lisa Marie Woods, who seizes the opportunity to showcase her dramatic skill and expressive balletic moves during an exquisitely choreographed ballet sequence. Bravo!
New Century’s back in town
Being largely unfamiliar with these lieder, I appreciated Moore’s performance of two different settings for the same poem (An den Mond) because it pointed the way to how Schubert’s handling of the material matured over time.
Review: Ragnar Bohlin conducts ‘Bach’s B minor Mass’ at San Francisco Symphony
Each passage totally exhausts the possibility of what can be done with this material, leaving the audience amazed and stunned at what can be done with this simple six-word passage set as a texturally dense, five-part fugue.