Tag: RED (Red Digital Cinema Camera Company)

Sloooow motion. Slow-mo. Right?! Doesn't slowing a moving image down just make everything seem more interesting? Possibly. We see it in sports all the time during replays. And, in case you never noticed, take time to watch that next luxury goods commercial, say, for a Lexus car. Note the use...

What does a scene for a short film feel like before sound editing? I took "A Surprise Delivery" from my short All American Apple Pie (full video at bottom of post), and was curious to know how the original footage looked and sounded before the mix. I wondered how different it would feel without...

It's a wrap! We finished our first shoot with the RED Raven cinema camera and I'm here, as a DSLR/Canon C100 kind of guy, to share the experience, along with a few thoughts. What's good and bad about shooting a Stark Insider video on RED? But first, some brief context -- I...

A recipe to die for.

Loni was back from London. And it was the weekend. Clearly, that could mean only one thing: time to test the new RED Raven camera. I had already shot some slowmo (high frame rate) tests with Raven and was very pleased with the image produced by the well-regarded Dragon sensor...

UPDATE: I wasn't pleased with the noise on my first cut. I re-shot some tests with Raven using ISO 320. Also I used REDlogFilm instead of REDgamma4, and used Lumetri Color to grade (not exactly a strength of mine). You can see the results at the end of the...

I felt like Bryan Cranston was looking over my shoulder, "There she is!" Like in Refn's Drive, as I unboxed the new RED Raven camera, I felt as if I was in the vicinity of something packing ungodly power, cloaked in an inconspicuous body -- though certainly sexier than a Chevy Impala. It's serial...

The Stark Insider Road to RED continues. Yesterday I received the much ballyhooed (at least amongst the REDuser community) "allocation email." The brief communication simply means a camera, in this case a Red Raven, has been allocated in my name, and will ship shortly: Nothing too exciting. Move along. In other news... Sure, but...

I have the handle. Now all I need is the camera. But this isn't just any ordinary camera handle. No, that's because it's designed and engineered for a RED camera. That means a few things. For one, it must, by law of the land of RED, have a wild name. So: "DSMC2 Outrigger...

Camera manufacturer faced classic tech marketing decision: ship partially complete product today and generate revenue, or engineer it further to meet original specifications, but risk further damaging customer loyalty.